The inner surface of the bubble is a vast screen to entertain the feeler. The window of attention is a limited area that feeler is watching in every moment. Different W2 lenses (input from inside bubble) and different W1 events (input from outside bubble) are registered in different areas of bubble’s surface.
The overarching complex feeling of feeler in any moment comes from the window of attention of the feeler and the composition that it evaluates. Every composition is composed of smaller compositions.
The feeler may evaluate the components of a composition differently from the whole. Amazingly, the value of the whole composition is not absolute, and it greatly depends on how pleasure and pain are assigned to elementary experiences and what W2 mathematics is used to create larger compositions out of those elementary experiences (data and mathematics).
Since every conscious being has unique W1 body composition and W2 body composition, whose data and mathematics are unique (perspectivism exists in defining good and bad, as well as beauty and ugliness).
7/02/2019
Metaphor of Bubble: The Movie Directed Inside the Bubble
Your bubble is your personal universe. Inside the bubble, knowingly or unknowingly, you are the director, the screen play writer, leading actor, the sidekick, and extras. A movie is being directed on the inner surface of your bubble, and the feeler is experiencing it.
What you project on the inner surface of your semi-transparent bubble is combined with the reflections that are penetrating from outside W1 events. In other words, the final product is a mixture of the input from outside bubble and magical projections of lenses inside the bubble. For instance, you are standing on a layer of ice in a frozen lake. You register W1 input of where you are. If you think the ice is thin and no one is around to help you (in case you ice broke and you fell in freezing water) then you will experience fear. However, if you think the ice is thick and soon you will exhibit your mastery of figure skating in front an audience, you will experience joy. In both cases, W1 input is the same, but different W2 lenses project different scenarios about future on the inner surface of the bubble.
As one may notice, what comes from outside bubble (W1 input) is rather unchangeable, but what comes from lenses inside bubble (from W2 lenses) is malleable. If one has accurate L2, his screen plays and his actor roles conforms more to W1 events. Such a person will be more successful in using W1 laws or events in his own favor.
The input of W2 lenses (especially L1 and L3 lenses) can create meaningful and beautiful scenarios of future in the movie (even without having any support from W1 input). Watching the movie of fulfilling desires in future can create as much pleasure as fulfilling them at the present moment. In other words, even image of pleasure creates pleasure. Many religions promise future scenarios of meaning and pleasure by creating L1 lenses that transform W1 input. They may interpret suffering at the present moment as a path to future pleasure and beauty. Discovering such a power is frightening for many. The fact that a person can be the creator of his or her movie despite W1 events in outside world is the most frightening for many and most promising for some. Understanding X will help you to gain control over your screen play, actors’ characterization, and many other aspects of your own movie on the inner surface of the bubble.
What you project on the inner surface of your semi-transparent bubble is combined with the reflections that are penetrating from outside W1 events. In other words, the final product is a mixture of the input from outside bubble and magical projections of lenses inside the bubble. For instance, you are standing on a layer of ice in a frozen lake. You register W1 input of where you are. If you think the ice is thin and no one is around to help you (in case you ice broke and you fell in freezing water) then you will experience fear. However, if you think the ice is thick and soon you will exhibit your mastery of figure skating in front an audience, you will experience joy. In both cases, W1 input is the same, but different W2 lenses project different scenarios about future on the inner surface of the bubble.
As one may notice, what comes from outside bubble (W1 input) is rather unchangeable, but what comes from lenses inside bubble (from W2 lenses) is malleable. If one has accurate L2, his screen plays and his actor roles conforms more to W1 events. Such a person will be more successful in using W1 laws or events in his own favor.
The input of W2 lenses (especially L1 and L3 lenses) can create meaningful and beautiful scenarios of future in the movie (even without having any support from W1 input). Watching the movie of fulfilling desires in future can create as much pleasure as fulfilling them at the present moment. In other words, even image of pleasure creates pleasure. Many religions promise future scenarios of meaning and pleasure by creating L1 lenses that transform W1 input. They may interpret suffering at the present moment as a path to future pleasure and beauty. Discovering such a power is frightening for many. The fact that a person can be the creator of his or her movie despite W1 events in outside world is the most frightening for many and most promising for some. Understanding X will help you to gain control over your screen play, actors’ characterization, and many other aspects of your own movie on the inner surface of the bubble.
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